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Jean-Marc and Pamela attend the première of a film directed by one of their friends. They gradually lose control of things.

Jean-Marc and Pamela attend the première of a film directed by one of their friends. They gradually lose control of things.

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In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

A young boy has to deal with increasing family and school pressures as his mother's disease worsens.

Max is single, ophthalmologist, and a real mama's boy. Until she suddenly dies. Max should be devastated, yet he seems to be coping well. Too well. He actually still sees her, talks to her. She is not gone, still here, still close to her beloved baby boy. Max knows she is dead, yet he holds on to this impossible reality. Until he starts sharing his office with Ohiana, a shrink who he slowly falls in love with. Mom is not going to like it.

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Paulette, Jean-Christophe's mother, talks too much; after ten years of struggle Jean-Christophe notices that Paulette talks less, but one night he sees his mother's dentures in a tooth glass. Kind friends explain to him that Paulette has passed from the oral stage to the sadistic oral stage. The mother shows her teeth, I love you, I crunch you, it's sure death...

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